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張登翰, 2022, Byron's Portrayal of Buonaparte Napoleon: Miltonic Satan, an Imperialist, and the Poet's Alter Ego, 致理學報, 卷, 42期, 其他
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張登翰, 2021, The Fugue of Byron’s “Mazeppa”: A Contrapuntal Reading of the Hero’s Sufferings in Exile, 逢甲大學人文學報, 卷, 43期, 其他
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張登翰, 2021, Gestalt and the Poet's Self in John Keats's, 修平學報, 卷, 42期, 其他
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張登翰, 2019, Weak Reason and Irresistible Heterogeneity: Pope's Deviation from Monologism in, 大同學報, 34卷, 13期, 其他
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張登翰, 2018, Essay on Man: Polyphony in Alexander Pope's Vindication of God's Ways to Man, :寂天
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"亞崴椰子油系列產品翻譯專案","2018","張登翰"
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張登翰, 2017, The Heterogeneous Presentation of Humanity in. An Essay on Man by Alexander Pope, 朝陽人文社會學刊, 15卷, 2期, 其他
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張登翰, 2017, Embarrassing Authority: The Conflict between Pope's Monologic Belief and Polyphonic Discourse in An Essay on Man, 台北城市科技大學通識學報, 卷, 6期, 其他
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張登翰, 2016, 波普詩評(卷二), 台北:書林
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張登翰, 2014, Dialogue, Wit, and Judgment in "An Essay on Criticism" by Alexander Pope, 彰化師範大學文學院學報, 卷, 10期, 其他