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| 論文名稱 | 識讀《客座新聞》 |
| 研討會開始日期 | 2018-06-07 |
| 研討會結束日期 | 2018-06-08 |
| 所有作者 | 謝忠志 |
| 作者順序 | 第一作者 |
| 通訊作者 | 否 |
| 研討會名稱 | 「操控媒體：明以降中國的新聞與『假新聞』」國際學術研討會 |
| 是否具有對外公開徵稿及審稿制度 | 是 |
| 研討會舉行之國家 | NATTWN-中華民國 |
| 研討會舉行之城市 | 臺北 |
| 發表年份 | 2018 |
| 所屬計劃案 | 無 |
| 可公開文檔 |
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| 可公開文檔 | |
| 可公開文檔 | |
| 附件 |
 識讀客座新聞META-DATA.pdf
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[摘要] :
明代沈周（1427-1509）的《客座新聞》，書名新穎，頗具現代風格，實為古代中國罕見。就傳統定義，「新聞」為新異之聞見，這也是沈周撰寫的《客座新聞》的目的。沈周晚年受盛名之累，門庭若市，遂筵宴四方人士，令其敘述見聞，並予以記錄，得名《客座新聞》。其搜羅、紀述的「新聞」事件，主要包含兩類，一是流傳街頭巷尾的奇聞軼事，二是轟動國家社稷的各類人物。換言之，《客座新聞》是報導當時口耳相傳受大眾矚目的重大人物、事件，加以集結成冊的書籍，也頗符合今日對「新聞」的定義。
本文敘述包含幾個方面：首先蒐羅《客座新聞》的傳抄本、刻印本等各類版，並比較異同處；再者，探究《客座新聞》搜羅新聞事件內容，並加以分類，同時以其他史籍考證「所見、所聞、所傳聞」是否符合史實，或與其他訛說之別；第三，分析書中蘊含沈周思想的旨趣；最後思索《客座新聞》對當代文士、南京地區以及明中葉後筆記小說發展等影響。藉由識讀《客座新聞》，或能得知明人獲取「新聞」來源、汲取新知之因、朝廷對於媒體的控制狀況，以及南京書籍刊刻事業發達的緣由。
[英文摘要] :
Shen Zhou (1427-1509) is a master from Ming Dynasty known for his outstanding talents in poetry, calligraphy and painting, while his writing capacity was often overlooked. Shen Zhou’s Kezuo xinwen (meaning news from guests) carries a refreshingly modernistic title that implies its content consists of scraps of stories gleaned from hearsay amongst his house guests, whereas it was actually added and compiled with Shen Zhou’s personal accounts and witnesses. Given the addition and deletion by busybodies, Kezuo xinwen comes in various editions when being printed. At the time, the widely known edition was the one with 22 scrolls. Today, what remains and has been passed on is the 11-scroll edition.
Kezuo xinwen contains miscellaneous unclassified content. This paper divides the content roughly into five categories: National Affairs, Filialness & Virtues, Dreams, Anecdotes and Daily Uses, of which Filialness & Virtues and Dreams account for the majority. This reflects such thoughts as ethical codes and action & retribution much upheld by Shen Zhou. Kezuo xinwen only collected, but did not verify historical sources of its content and was therefore criticized by Wang Shizhen(1526-1590) that it should not be classified as “Undocumented History (or Unofficial History).” However, the value of Kezuo xinwen lies not in recording conventional historical materials but in its concrete depiction of the everyday society and life south of Yangtze River. In particular, the three segments covering personal barbers, expellers of evil and threats of tigers can reflect realistic states in classes, occupations, families and ecology in the Mid-Ming Dynasty and serve as important cultural materials of daily life. Overall, Shen Zhou’s Kezuo xinwen secures a place in history by setting off two practices: first, to initiate the trend of using the word “News” (Xinwen); second, to prompt Literary Sketches into popularity.
