文藻外語大學W-Portfolio

研究資料首頁-> 期刊論文

研究資料明細

論文名稱 試論愛倫坡的生態論述:〈沉默寓言一則〉中的生態地域敘事
發表日期 2015-03-01
論文收錄分類 其他
所有作者 羅宜柔
作者順序 第一作者
通訊作者
刊物名稱 修平學報
發表卷數  
是否具有審稿制度
發表期數  
期刊或學報出版地國別/地區 NATTWN-中華民國
發表年份 2015
發表月份 3
發表形式 紙本及電子期刊
所屬計劃案
可公開文檔  
可公開文檔  
可公開文檔   


[摘要] :
愛倫坡(Edgar Allen Poe)在其〈沉默:寓言一則〉(“Silence: A Fable”)中,設定主角惡魔(Demon)拒斥所在環境,迫求生態以他為主要關注焦點,但事與願違,周遭事物加上一「不出色男子」(an indistinct man)構成「荒蕪」市界(desolation),也因而觸怒了惡魔。對比文中盡是自然地域的描寫與躍動,惡魔終未學會沉默而只能隨忘川(lynx)結束全文敘事。
本文主要透過晨尼〈後現代環境倫理〉一文有關生態地域敘事的概念為主軸,進一步導引並解析愛倫坡的生態體系銘刻愛倫坡故事中的生態敘事視角。

[英文摘要] :
In “Silence: A Fable,” the Demon, similar to most of Poe’s characters, refused to communicate but aspired for singular attention upon him. However, a myriad of species and plants are listed in “Silence: A Fable” as if to make an eco-circle as a contrast of the lonely Demon. The Demon did not acquire the tentative focus and thus this fable distinguishes itself in its “rounding narrative without essentializing the idea of self” (Cheney 33). Cheney in his “Postmodern Environmental Ethics: Ethics as Bioregional Narrative” dubs the discourse with the term, “bioregional narrative.” Based on Cheney’s bioregional narrative and development, this paper intends to explore Poe’s eco-systematical depiction and bioregional perspective to see how the postmodern bioregional narrative is applicable in the interpretation of an American Romanticist, Poe’s works.