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| 論文名稱 | 2016年原住民族研究論文發表會 |
| 研討會開始日期 | 2017-01-31 |
| 研討會結束日期 | 2016-12-31 |
| 所有作者 | 羅宜柔 |
| 作者順序 | 第一作者 |
| 通訊作者 | 是 |
| 研討會名稱 | 【2016年原住民族研究論文發表會 |
| 是否具有對外公開徵稿及審稿制度 | 是 |
| 研討會舉行之國家 | NATTWN-中華民國 |
| 研討會舉行之城市 | 嘉義 |
| 發表年份 | 2016 |
| 所屬計劃案 | 校內整合型 |
| 可公開文檔 |
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| 可公開文檔 | |
| 可公開文檔 | |
| 附件 |
確認ISBN.pdf
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[英文摘要] :
This paper intends to discuss the profound meanings in the two book covers of
Syaman Rapongan’s The Mythology of Badai Bay published in 1992 and 2011.
Although one old saying goes, “Don’t judge a book by its cover” implying that a
person should not and cannot be judged by the appearance, yet, as time goes by, with the transformation of thoughts and social ideology, the change of a book cover may be
hidden with the transformative ideas. Syaman Rapongan’s The Mythology of Badai Bay can be a good example. The book was firstly published in 1992 by the Morning Star Publishing Company with political implication; in 2011, it was reprinted with a different book cover, telling a complete different intention. From 1992 to 2011, the political development as well as the development of the indigenous right had been undergone a huge transformation. Such a transformation was imprinted in the two editions of these two book covers. As a result, this paper attempts to uncover the twenty years’ development in the indigenous history by means of a further analysis of the design of the book covers including the layout, the words and illustrations selected to exemplify the intertextuality between the cover and the indigenous history.
Keywords: Tao, Syaman Rapongan, The Mythology of Badai Bay, Book Cover
本作品列入論文集但並未於會議中發表
