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| 論文名稱 | One Future of Taiwanese Puppet Show: Samadhi Tang Creative Puppet Troupe |
| 研討會開始日期 | 2022-10-02 |
| 研討會結束日期 | 2022-10-02 |
| 所有作者 | 羅宜柔 |
| 作者順序 | 第一作者 |
| 通訊作者 | 是 |
| 研討會名稱 | 第五屆社會科學本土化學術研討會暨 第六屆本土諮商心理學學術研討會 |
| 是否具有對外公開徵稿及審稿制度 | 是 |
| 研討會舉行之國家 | NATTWN-中華民國 |
| 研討會舉行之城市 | 彰化 |
| 發表年份 | 2022 |
| 所屬計劃案 | 很久以前的國科會 |
| 可公開文檔 |
|
| 可公開文檔 | |
| 可公開文檔 |
[英文摘要] :
With the second blow of Pili’s puppet movie, Su Han Jen, it seems Taiwanese puppet show has encountered a huge thunderbolt since after all Pili is the only as well as the biggest puppet company in Taiwan. However, there is a small and special Taiwaneese puppet troupe still striving hard and despite the devastated enemy, Covid-19, this troupe to most people’s amazement is getting prosperous and even able to shoulder the development of some traditional cultures in addition to Taiwanese puppetry. This troupe, Samaditang Creative Troupe, is a non-profit unit. Yet, after twelve years, members have blended other traditional cultures as the Blessing Flowery Pattern (纏花;春仔花) in their puppetry. This troupe may not be as powerful as Pili Company. Yet, it may be the future where Taiwanese puppet show can look forward to.
