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| 專書(含篇章)及其他著作名稱 | 17 The Combat and Compromise in Taiwanese Puppets as a Body Without Organ: Samadhi Tang Creative Puppet Troupe as an Example / Social Theorizing in Contemporary Taiwan: Glimpses from Some Contemporary Movements and Socio-cultural Initiatives |
| 專書出版日期 | 2022-08-01 |
| 專書類別 | 電子書 |
| 是否為專書 | 否 |
| 使用語文 | 外文 |
| 專書是否經外部審稿程序或公開發行出版 | 是 |
| 作者順序 | 第一作者 |
| 通訊作者 | 否 |
| 出版年 | 2022 |
| 出版月 | 8 |
| 出版地 | |
| 出版者(社) | Springer Nature Singapore Pte Ltd |
| ISBN編號 | 978-981-19-0683-1 |
| 所屬計劃案 | 國科會 |
| 可公開文檔 |
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| 可公開文檔 |
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| 可公開文檔 |
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| 附件 |
body organ 301-316 無器官.pdfbody organ 無器官 彩色封面 目錄.pdf
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[摘要] :
17 The Combat and Compromise in Taiwanese Puppets as a Body Without Organ: Samadhi Tang Creative Puppet Troupe as an Example / Social Theorizing in Contemporary Taiwan: Glimpses from Some Contemporary Movements and Socio-cultural Initiatives
[英文摘要] :
The concept of body without organs was first conceived by Antonin Artaud—a European avant-garde dramatist. Artaud had been sick since his boyhood days. For his entire life, he spent battling his illness, both mentally and physically. His struggle inspired the idea of body without organs. This concept was later popularized by Gilles Deleuze and Felix Guattari in A Thousand Plateaus. Simply put, body without organs liter-ally views a body as an entity with no organs inside. To this extent, the body can take on the form of an animal, a voice, or even a thought (Deleuze and Guattari 1988: 127). Deleuze and Guattari thus promul-gated an esthetic principle that advocates for continuous change and deterritorialization and celebrates differences, otherness, and multiplicity.
