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張登翰, 2022, Byron's Portrayal of Buonaparte Napoleon: Miltonic Satan, an Imperialist, and the Poet's Alter Ego, 致理學報, 卷, 42期, 其他
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張登翰, 2021, The Fugue of Byron’s “Mazeppa”: A Contrapuntal Reading of the Hero’s Sufferings in Exile, 逢甲大學人文學報, 卷, 43期, 其他
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張登翰, 2021, Gestalt and the Poet's Self in John Keats's, 修平學報, 卷, 42期, 其他
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張登翰, 2019, Weak Reason and Irresistible Heterogeneity: Pope's Deviation from Monologism in, 大同學報, 34卷, 13期, 其他
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張登翰, 2017, The Heterogeneous Presentation of Humanity in. An Essay on Man by Alexander Pope, 朝陽人文社會學刊, 15卷, 2期, 其他
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張登翰, 2017, Embarrassing Authority: The Conflict between Pope's Monologic Belief and Polyphonic Discourse in An Essay on Man, 台北城市科技大學通識學報, 卷, 6期, 其他
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張登翰, 2014, Dialogue, Wit, and Judgment in "An Essay on Criticism" by Alexander Pope, 彰化師範大學文學院學報, 卷, 10期, 其他
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張登翰, 2013, Nature and Dialogue: The Conflict-ridden Authoritative Discourse of Alexander Pope, 北市大與文學報, 卷, 10期, 其他
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張登翰, 2012, Dialogue, Heterogeneity, and An Essay on Criticism by Alexander Pope, 文山評論, 6-1卷, 期, 其他
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張登翰, 2010, The Conflict/Continuity between Renaissance and Neoclassicism: Multi-voiced Presentation of the Human Capability in Pope's Essay on Criticism, 興大人文學報, ----卷, 45期, 其他
